In this week’s mentary, Solzhenitsyn and His Critics, I point to the criticism that has been leveled for many years at the writer who turned out to be not exactly the sort of dissident that many in the West were waiting for. I suspect that much of this antipathy to Solzhenitsyn was based on his promising moral vision, which seems to offend some people. I say:

Solzhenitsyn’s critique of modern societies went much deeper than ideology. He drew from a Christian moral tradition, not a political platform. He yearned for a “moral doctrine of the value of the individual as the key to the solution of the social problems.”

I received today a copy of the Spring 2008 Ave Maria Law Review in which is published an article titled “The Enduring Achievement of Alexander Solzhenitsyn” by Edward E. Ericson Jr. Ericson, with co-author Daniel J. Mahoney, edited ISI’s Solzhenitsyn Reader, an outstanding one-volume collection drawn from the author’s prodigious life work.

In Ericson’s article, adapted from a lecture he gave at Ave Maria last year, he says that Solzhenitsyn “never did get the hang of the West’s unspoken rule governing free speech, namely self-censorship.” Then there was his Russian Orthodox faith. Ericson:

In 1972, with all hope lost of his ever being published again in the Soviet Union, [Solzhenitsyn] made public the fact that he was a religious believer, specifically, a Russian Orthodox Christian — how quaint. Following his mencement address at Harvard University, conventional wisdom crystallized into cliche: Solzhenitsyn was objectionable, wrongheaded, retrograde. Case over. Close the books.

Unless Solzhenitsyn’s many critics, on the left and the right, understand him on his own terms — as an artist working from the moral framework of an ancient Christian tradition — they will never understand him or his work.

Even before Solzhenitsyn publicly identified himself as a Christian, those with eyes to see could discern that his fiction operated within what we may call the moral universe, which, in turn, seemed to posit a religious worldview. In 1970, Father Alexander Schmemann described Solzhenitsyn as “a Christian writer” because his writings exhibit “a deep and all-embracing … perception of the world, man, and life, which, historically, was born a grew from Biblical and Christian revelation, and only from it.” Schmemann described the essence of this perception as “the triune intuition of creation, fall, and redemption.”

Is Solzhenitsyn above criticism? Of course not. But understand him in light of his great achievement — the moral courage he displayed and the power of his ideas. Ericson again:

Someone needed to pellingly what everyone knew deep down. Someone needed to say the emperor had no clothes. Solzhenitsyn, more than anyone else, delegitimized the Soviet experiment at home and discredited it abroad. And he hammered home his case through the concreteness that literary art is singularly suited to provide. It helped to have people pushing against the tottering tower from the outside, but external pressures are of less consequence than demolition charges ignited from the inside.