Malika Worrell’s review of The Call of the Entrepreneur is a perfect storm of distorting prejudice, muddle, and simple factual errors. First, she says, “Much of Call’s 58-minute runtime is taken up with talking heads, most of whom are affiliated with the Acton Institute, affirming the film’s ideology that unfettered capitalism is inherently righteous.”

This is incorrect, and I told her it was incorrect in our interview. The majority of interviewees in the film, from Brad Morgan to George Gilder, Michael Novak, Jimmy Lai, and Peter Boettke, are not affiliated with Acton. Moreover, her description of the film’s “ideology” (why not say “argument”?) seems to be describing some other film. What little was said about the free market and capitalism in our film focused on the importance not of “unfettered capitalism” but of private property and rule of law. Such government-enforced “fetters” are preconditions for a successful capitalism. These are the lessons of economic history, not the deliverances of some kind of irrational faith, which Worrell suggests.

She ments, “The film’s single-minded focus on the virtues of the free market is panied by a Calvinist streak. The entrepreneurial impulse contains elements “of God’s original creative act.” This is a quote from the film by Samuel Gregg, a Roman Catholic. The film is based on a book by a Roman Catholic priest, Robert Sirico, which Worrell elsewhere notes. Catholics aren’t Calvinists. Moreover, the idea that human beings are created in God’s image to be creators is a broadly Judeo-Christian idea, one shared even by deists like Thomas Jefferson.

On several occasions, Worrell criticizes the film because, apparently, it isn’t the film she thought we should have made: “Viewers hoping to learn more about the businesses Call’s featured entrepreneurs created e away frustrated; the film is more interested in ideology than the actual logistics of entrepreneurship.” Again, she prefers the prejudicial word “ideology” to describe a perspective she simply disagrees with. In any case, this isn’t a valid criticism. The film is a response to the ubiquitous stereotype of business entrepreneurs as greedy misers that persists in both the entertainment and news media. It’s not a training film for aspiring entrepreneurs.