I watched the 2006 film The Prestige (based on the 1995 book of the same name) over the weekend. The film does an excellent job of portraying plex relationship between the two main characters, Robert Angier (Hugh Jackman) and Alfred Borden (Christian Bale).

These two men are stage illusionists or magicians (the name of the movie derives from the terms that the author gives the three essential part of any magic trick: the setup (pledge), the performance (turn) and the effect (prestige). Their interaction over the course of the years is characterized by rivalry and obsessive vengeance-seeking. The film does well to show the admirable and dishonorable elements of both men, thereby giving a realistic and relevant portrayal of the fallen human condition.

There’s certainly a great deal of morality to be learned from the film’s tale of revenge, but one of the more interesting subplots involves a different kind of obsession. At one point Angier seeks out the famed inventor Nikola Tesla (ably played by David Bowie) to help him get the upper hand on Borden.

The device that Tesla builds for Angier ends up being a critically important element of the developing plot (it gives a whole new ironic meaning to the term deus ex machina), but what I want to examine briefly here is Tesla’s view of technological development.

As the movie progresses, it es clear that Tesla and Thomas Edison have developed an antagonistic rivalry similar to that of Angier and Borden. While the latter pair’s relationship is focused on stage magic, the former two men are vying for preeminence in the field of technological innovation.

Tesla is a rather tragic figure, a brilliant scientist who knows he is captivated by an obsession to push his mastery over nature to ever greater scope. He also knows that such a burning obsession must needs eventually destroy him. When Angier approaches Tesla asking for a radically powerful device, Tesla says confidently, “Nothing is impossible, Mr. Angier. What you want is simply expensive.”

Nikola Tesla: “Man’s grasp exceeds his nerve.”

In this way, Tesla’s faith is in technological progress: “You’re familiar with the phrase ‘man’s reach exceeds his grasp’? It’s a lie: man’s grasp exceeds his nerve.” The first quote can be taken to mean that man’s technological capabilities outstrip his abilities to make sound moral judgments about the use and abuse of innovative technology. But whereas Tesla determines that this maxim is a “lie,” there’s a great deal of contemporary evidence that the statement is indeed true.

This is perhaps nowhere more clearly evident than in the field of biotechnology, especially with respect to the research and science related to fertility and embryology. When writing about the moral challenge of in vitro fertilization, Acton scholar Stephen Grabill states, “Technology, it seems, has outpaced our understanding of the fundamental legal, political, theological, and moral issues in the creation and management of human embryos.”

I have written a great deal on the phenomenon of animal-human hybrids, known as chimeras, and there is a recent piece on NRO from Rev. Thomas Berg is executive director of the Westchester Institute for Ethics and the Human Person, and member of the mittee of New York’s Empire State Stem Cell Board. Berg concludes that “Biomedical science fails humanity when it deliberately destroys human life in the pursuit of trying to cure it.”

The Prestige is a great film on a number of levels. As a morality play it has many things to teach us. One of these is the stark contemporary relevance of a cultural obsession with technological progress divorced from a firm and reliable theological and moral grounding.